Contest entries sent; bring back some money

I’ve made some headway on the screenwriting front in a few different ways. I entered a couple contests, wrote a lot over the weekend and have found some allies in my writers’ group who seem to want me to succeed. That feeling makes a difference.

First off, I entered “Paper Cuts” in the Nxt Stage Film Festival in the web series category. I shipped off a DVD yesterday along with my entry fee, a completed entry form and a postcard they’ll send me to let me know they’ve received it. I don’t see much info on when the festival is or when I’ll hear if I’m accepted or not. That makes me feel a little anxious about the contest’s legitimacy and all, so this could end up being more of a valuable lesson than a career changer. We’ll see.

I also entered the Sixth Borough Screenplay treatment contest I mentioned earlier this month. I elected to receive early feedback, with the option of re-submitting to the contest after making any changes. The winner of that contest will be announced Aug. 15. That was the contest that recommended I register my concept with the WGA, which I did; now I can write more freely about my screenplay, because I have documentation of creative ownership. Or something. If someone took my idea, I could legally use my registration with the WGA as evidence in my favor in a court of law. This will not happen, but it’s a load off any writer’s mind, I’m sure.

This past Sunday, I added several pages to the screenplay itself while sitting at the Lennox Cup O’ Joe with Eileen, who is right in the thick of completing her masters’ thesis paper. We sat there for a few hours, each writing, only looking up to ask occasional questions and moving only to order still more coffee. This might not sound like the best quality time, but you don’t know Eileen and me. I did take a break for a moment to crowd source on Facebook and ask my friends to name one of my characters. I got more than a dozen suggestions for female names, one of which I ended up using. I’m hanging on to the rest.

Finally, I went back to my writers’ group at Kafe Kerouac on Monday night. Even though I made some changes to my treatment, I didn’t bring the revised version. I should have though, because it turned out some new people showed up, including SNP’s own Donovan Campbell! It’s a small city, you guys. The people who were there last week asked about my progress and I promised to bring my outline next time.

“It’s like 8 pages long and messily written,” I warned them.

“That’s okay,” said Mike, the owner of the cafe. “I like discussing ideas more than I like correcting grammar.”

You kind of get that idea from talking to him, too. I also had a great conversation with two other members I hadn’t spoken to yet. One is an actor who gave me his card and wants me to send my outline directly since he’ll be absent next week. The other is a playwright who seems to be just the right mix of riotously witty and slightly jaded, ala Garth Bishop from SNP, and who is becoming reluctantly interested in writing for the screen as opposed to the stage. We are Columbus, Ohio’s own Algonquin Roundtable and I just fell right into it like a pig into a mud pit.

Last night I started working on an online portfolio, where I will be putting all the multimedia work I create. I wish SNP had saved the one and only video I did for them, because it would be most professional platform my videos have seen yet. But, alas. There’s only so long you can hang on to a video of four wailing infants and their bewildered, but ridiculously attractive, parents.

In the tradition I’ve maintained on The Sleeper Hit, here are the costs I’ve been met with in my pursuit of happiness (coffee consumed not included):

Nxt Stage entry fee, with postage: $31.22

Sixth Borough entry fee: $30 ($20 + $10 extra to get early feedback and the chance to re-submit)

WGA: $20 (standard non-member rate for any work)

I’d better not enter much else for a while. This stuff adds up quicker than I thought.

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